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What Valda failed to consider is that both of his captives have magical abilities. “To struggle and fight for everything we have.” Seen in that light (no pun intended), channeling the One Power is like using a cheat code, and every Aes Sedai or minor channeler practicing the craft is as guilty of perverting the will of the Light as a False Dragon. “We humans are meant to be of this earth,” he explains. Shouldn’t a group with that name align itself with the Aes Sedai rather than persecuting them? Not if you believe, as Valda and his confederates do, that the magic of the One Power - all of it, not just the tainted kind occasionally wielded by men - emanates from the Dark. While he busies himself with the interrogation and torture of Perrin and Egwene, Valda also delineates the politics of his faction, the Children of the Light, which up until this point had been a bit cloudy. But in the end, Egwene and Perrin fall into Valda’s clutches. When the Tuatha’an band together to protect the pair, the Whitecloaks begin beating them - non-lethally but still painfully, in a fashion that will be familiar to anyone who’s dared to protest police brutality and racial injustice in this wonderful fantasyland we call America. Continuing to travel with a band of Tinkers, they’re waylaid by the band of Whitecloaks led by Eamon Valda, who recognizes Perrin and Egwene from their previous encounter. Perrin and Egwene, however, have yet to arrive at the Tower. (Red Aes Sedai, like Liandrin, it should be noted, take on no male Warders the question of Liandrin’s sexual orientation aside, it makes sense for the Aes Sedai tasked with subduing male channelers not to have male companions of their own given the potential conflict of interest.) It should be noted here that Liandrin brushes aside a lock of Moiraine’s hair in a way that suggests her ostensible misandry may be twinned with an attraction to other women, or at least to Moiraine herself. While there’s time for Moiraine and the Green Aes Sedai Alanna to kibbitz like college girls in their dorm room, Liandrin and Moiraine continue to verbally spar, with Moiraine charging Liandrin with a hatred of all men. Each of its color-coded factions will want to claim the powerful Nynaeve for their own. Its leader, the so-called Amyrlin Seat, wants answers about the gentling of the False Dragon Logain. If anyone gets wind of Nynaeve’s departure from the Tower grounds, I can’t imagine it going over well, as it turns out that the White Tower is a hotbed of political gamesmanship. It’s a chance for Nynaeve to sidestep the complicated politics of the Aes Sedai and do some hands-on healing for a change, but Mat rejects the offer. With an abruptness bordering on the comical, he brings Nynaeve out of the White Tower to where Rand and Mat are bunked up. Loial turns out to be a good friend to have made. An Aielman in the mountains? What will they think of next! When Rand demurs, saying he lived in the mountains, Loial’s curiosity is only redoubled.
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This towering, broad-faced figure is an ogier - that’s the preferred term for “ogre” - who pegs the red-headed Rand for an Aiel, a member of the warrior tribe of which we’ve previously seen one member strung up in a cage and shot full of arrows. This includes a library, which brings him into contact with a being called Loial. While Mat convalesces, Rand takes it upon himself to investigate the city’s riches.
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(At no point during any of this does Mat’s possession of a dagger from the cursed city of Shadar Logoth come up. When he and Rand spot the Aes Sedai marching into the city with the False Dragon Logain in tow, he makes Rand promise to stop him if he ever gets that far gone. Mat’s main concern - other than being reassured that the fade, rather than he himself, killed that family last week - is his own evident incipient madness. They seek out an inn recommended to Rand by the gleeman Thom Merrilin, himself last seen dueling with a fade in the previous episode. The first to arrive in the city of Tar Valon are Rand and Mat, who since we last saw them have taken up with a convoy of nondescript travelers. So kudos to TWoT’s team for making the city of the Aes Sedai’s White Tower such an intricate and impressive milieu - a staging ground for the human drama taking place within its beautifully patterned columns and corridors. And so, from Middle-earth to Westeros to the world of The Wheel of Time, these ancient and ornate metropolises have played a major role. Despite its pastoral roots, fantasy filmmaking has long counted upon its practitioners to nail the look and vibe of its fictional capital cities.